Caitlyn Buckley

Hi. Presenting a simple and elegant font named “Goodwine” includes lots of characters with many languages support (West European, Cyrillic, etc...).

Bourget is a Display-Sans, which is inspired by the Art Déco Typo­graphy of the 1920´s, 1930´s years. It has a very characteristic and unique style by its thin line through every letter. The upright and italic versions have each 750+ Glyphs with Open Type Features, playful Ligatures and a lot of Alternates as Stylistic Sets. So there is a lot to discover and to play around with. Bourget is good to use for Branding, Signage, Packaging, Invitations, Advertising, Headlines, Displays, Magazines, Book titles or everything you want to use it for. Bourget has an extended character set to support 219 latin based languages in 212 countries and Pinyin.

TT Firs Neue is a contemporary reincarnation of the good old Scandinavian TT Firs sans-serif. In the process of updating the old typeface, we realized that the number of innovations and the amount of work done definitely deserve a full-fledged new release, and thus TT Firs Neue has come to life.

What has changed? Everything, starting from the proportions of letters and ending with a new formula for the interpolation of weights! So, we changed the proportions of uppercase and lowercase characters; corrected the difference in weight between the letters in fonts of different weights. We changed the basic thicknesses of the strokes so that none of their 18 fonts would stand out with their weight and would be completed following a strict system. We created completely new Italics. And, of course, we made changes directly to the style of the typeface and its letters—the letters have become fresher and cleaner from the geometric point of view.

The most interesting change in the font is the significant extension of its scope. While the old type family was primarily focused on display matters—that is, very large short inscriptions, the new version implies active use of the typeface in the text and on the web. With all this, the font’s character has not been weakened, but has even gained some more strength. This can be perfectly seen in the radical extenders of the letters gltf, or in the super-display visual compensators for horizontal strokes in the bold weights of the typeface. Even though the standard display of TT Firs Neue has become brighter and more audacious, you can always calm it down a little by simply turning on stylistic alternates.

And that is not all! And how about small capitals, and other OpenType features, you ask? In TT Firs Neue, you will find small caps (for Latin and Cyrillic alphabets) and a set of stylistic alternates. In addition to the “standard ligatures”, in TT Firs Neue you can find a large number of original ligatures (30 items) for capital letters, which cover popular two- and three-letter high-frequency combinations from Scandinavian languages. In addition, to support the linguistic features of Scandinavian countries, we prepared a set of capital letters with pinned-down diacritics (including their small capital versions). To access this function, you need to use the calt feature (contextual alternates), or enable the second stylistic set (ss02) in InDesign. And that’s not all, there are a lot of useful features in TT Firs Neue, such as: ordn, case, c2sc, smcp, ccmp, frac, sinf, sups, numr, dnom, tnum, onum, lnum, pnum, dlig, liga , salt (ss01), ss02, locl, calt.

Fact is a workhorse open sans serif type system. It is inspired by the great Frutiger typeface. While the Regular style is slightly modernized but still quite close to Frutiger, changing the weight or width makes differences of the design more pronounced. The style range of Fact is wider than of any cognate type family, including weights from Thin to Black and widths from Compressed to Expanded. Fact type system contains 48 upright styles with variations in width and weight and 8 italics of normal width. The font was designed by Alexandra Korolkova and Manvel Shmavonyan and released by Paratype in 2018.

The BF Rotwang™ Pro is a contemporary new edition and re-design of an formerly design by Guido Schneider.

Named after the C.L. Rotwang, the inventor of the Mensch-Maschine from the film Metropolis (1925/1926), BF Rotwang plays with the character traits of high-contrast transitional serif typefaces and Didone-style typefaces.
BF Rotwang is a typeface characterized by balanced elegance. It is sensitive, sophisticated and self-confident, but unobtrusive. The heavy weights have the power and dynamic for strong headlines and exciting logotypes, the lighter cuts the elegance and lightness for use in continuous text. All letters and characters are a touch condensed, so the typeface looks compact and works space-saving.

The family comes with 7 weights plus matching Italics. Each font consists of more than 1.220 glyphs, featuring a wide range of alternate characters, SmallCpas and opentype features like discretionary ligatures, case sensitive shapes, different number sets and many more!
BF Rotwang™ Pro supports up to 200 Latin-based languages. Each of the 14 fonts contains more than 1.220 glyphs, featuring a wide range of alternate characters, small caps, figure sets, fractions, more than 35 ligatures, many currency symbols, special characters and other useful symbols. The style sets give you the option to individualize and adjust the typeface to the requirement of your design, without changing the general visual feeling.

When you need a classic serif typeface that is up to the modern standards, Millard comes to your rescue with its alluring beauty and legibility. You have a contemporary serif family that offers great variety with regular and bold weights in both normal and condensed widths, along with their true italics.

Over 500 glyphs in each font offers you the language support you need for all the Latin languages. Opentype features of oldstyle and tabular lining takes care of all your numerical text needs. Complete set of ligatures and discretionary ligatures adds the necessary decorative elements to your design while making it even more enjoyable to read. Language localizations such as transforming acute diacritic to kreska for Polish language is included.

Millard works perfectly as both a text and a display family, makes it a go-to typeface for editorial, branding, logo, poster, packaging, web design and wherever else you need that classy look.

Neometric is a contemporary sans serif that is built from a geometric foundation but with a more natural approach to the heavier weights creating an enhanced visual approach throughout. The standard version features sharp apex tops on the N & M characters creating a unique and powerful look that would be the perfect font for branding, digital or offline treatments.

Neometric features extensive European language support as well as basic Cyrillic to add to the flexibility and useability for big brands and small companies alike.

The font is made up of 36 styles, including two subtle design variations each featuring 9 weights plus matching italics.

Pilar and Ferran based Arlette on the fast stroke of one letter from a Roger Excoffon family, but along the way they abandoned that starting point in favour of experimentation. Many sans serifs are like a svelte black dress: functional, beautiful, and the unfussy outfit for a nice evening get together. The Arlette family isn’t like this. It’s a stunner — an incandescent reimagining of what defines a sans and how it can look.

Arlette explores the boundaries of the sans serif landscape and returns with forms developed from gestural vigour. Thinking of it as “painterly” may at first seem to fit, but it underestimates Arlette’s ability to master an unseen world of countless emotions and physical applications: magazines, branding, editorial, teen and young adult works, book covers, and a host of products and packaging whose content will be amplified with Arlette’s voice. Not only does Arlette use its eight weights plus italics to speak in Latin-based scripts, it is also fluent in Thai and has six weights (hairline through bold) with which it meets that challenge, whether in text or display.

Arlette Thai’s modern nature is seen in two features for the script. One is the decorative Thai characters that are based on original palm leaf manuscripts. Another is a version of the Latin numerals adapted to the height of the script due to their wide use in Thailand. Arlette Thai has been meticulously developed, including contextual kerning to avoid mark clashes.

Arlette’s OpenType capabilities include mathematic and scientific figures, positional forms, pointers, arrows, and oldstyle, lining, and tabular lining numerals. In addition to all this, it’s packed with swashes and swash ligatures in both scripts for enthusiastic typesetting. Because it pushes experimentation without compromising readability, both Arlette Thai and Latin are surprisingly legible in small sizes and arrestingly beautiful when their details can be seen.

Designed by Alberto Romanos, Bw Seido Round is a semi condensed font family with rounded corners striking a gentle balance between minimal strict geometry and typographic refinement, conveying a subtle industrial yet friendly feel. It consist of 12 styles (6 uprights + 6 matching obliques) supporting all European Latin languages.

The design of Bw Seido Round started heavily Influenced by the systematic principles behind the original German DIN 1451, with its clean, minimal shapes and rigid geometric feel: Both the lowercase and the uppercase have their own horizontal waistline running through all the characters of the font, reinforcing the engineered feel and focusing the rhythm on its vertical pace.

Beyond the very obvious rounded corners and terminals, which are instantly softening the feel and positioning this font on the friendly side, Bw Seido Round presents a series of subtle typographic adjustments elevating the design while staying invisible: The monoline look is achieved seamlessly thanks to the subtle modulation and the corrections at the joins; the tall x-height married with the open counters and the unambiguous shapes make it a very legible font,... All these ingredients play a balancing game with the crude geometry by adding the right doses of warmth into the industrial feel.

The resulting combination is a very functional font family suited for carrying the weight of a contemporary brand’s visual identity. Its tabular figures feature includes currency symbols and punctuation, making it a great candidate for information design and annual reports. Bw Seido Round is equally comfortable in print as it is in digital environments, thanks to the additional symbols and arrows included matching each weight. Other OpenType features included on the Bw Seido Round font family are stylistic alternates, slashed zero, fractions, case sensitive and localized forms.

Faktum is an exploration into the geometric sans genre, inspired by Mid-century modern architecture and interior design. Especially the combination of clear lines, organic curves and geometric shapes, highly popular among designers and architects of the second third of the 20th century, gave the impetus for a design with clear modernist roots and a strong contemporary finish.

The family comes in 8 weights plus matching italics, featuring a wide range of alternate characters and opentype features like discretionary ligatures, case sensitive shapes, different number sets and many more. Due to its clean lines and slightly organic structure, Faktum functions great in many sizes and surroundings, working either as a restrained supporting font in long paragraphs, or as a main actor in powerful headlines.

From the incredible well of creativity that is Maybelle Imasa-Stukuls we bring you Specimen V. A quirky serif family paired with natural history inspired illustrations.

OBSERVATIONS
Specimen V is a hand-drawn font, inspired by classic serifs. Created with all the quirks and charm you'd expect from Maybelle Imasa-Stukuls. The sky’s the limit with this nimble font.

DEFINING CHARACTERISTICS
Specimen V comes in a 3 variation family-standard, perfectly imperfect and smooth. Opentype programming and old style numerals. The family includes a set of 13 natural history inspired vector illustrations + hi-res pngs, created by our in-house Rare Bird illustrators.

POTENTIAL SIGHTINGS
You'll catch glimpses of Specimen V on the playground, in that cute new neighborhood boutique, in your local bookseller, and on your most eccentric uncle’s wedding invites. Only the most charming of applications will do.

An entertaining typography, dense but at the same time very gestural. “Ding” is a sans font that contains different alternatives of letters, a Cyrillic alphabet and Dingbat, special for children’s titles.