Caitlyn Buckley

Lumios is a freehand casual marker script that was created using Pilot Sign Pen.
It has both extended Latin and basic Cyrillic support that is enhanced with oodles of ligatures (latin as well as cyrillic) and alternates.
As a compliment to the script I also created Lumios Design Elements font that can be useful in brand design, greeting cards design etc.
Both fonts were carefully traced by hand and have clean edges, hence they are safe to use in all graphic design software (including but not limited to Adobe Suite, Silhouette and Cricut Design, Affinity Designer etc) as well as on websites.
The script is fully unicode mapped. To use it in Silhouette and similar applications that do not support OpenType features (yet), you may need to use your default Mac/Windows software such as Font Book or Character Map to select alternates you need.

Ranger Script is a modern handwriting calligraphy script. Contains a complete set of lowercase, uppercase, alternative, ligature, punctuation, numbers, and multilingual support. Works in harmony with Ranger Script to create awesome calligraphy creations. You are welcome to use it for various purposes: logos, wedding invitations, titles, signatures, t-shirts, letterheads, signboards, labels, posters etc.

How to access all alternative characters, using Windows Character Map with Photoshop:

https://www.youtube.com/watch?v=Go9vacoYmBw

How to access all alternative characters using Adobe Illustrator:

https://www.youtube.com/watch?v=XzwjMkbB-wQ

The Gabriela project is of great importance to us since it is the first font published by Latinotype México which is our brand-new sister foundry in Mexico.

Gabriela, yet more versatile, shares all of its DNA with Gabriela Stencil. The font is an excellent choice for short and medium-length text.

Gabriela is a Didone typeface well-suited to classy branding and editorial designs. Its alternate version includes swashes and more than 300 glyphs and 75 ligatures, allowing for more stylized designs. It may look different from its “regular” counterpart, but the essence of both is the same.

Gabriela comes in 9 styles, ranging from Thin to Black, and includes matching true italics. Each font weight has an average of 750 characters which support more than 200 Latin-based languages.

Cocogoose Classic is a geometric sans serif typeface designed with straight, monolinear lines and circular or square shapes. Its strong, modernist look has been soft ended by rounded corners and slight visual corrections that make Cocogoose Classic not only perfect for logos and headings with a vintage feel, but also very readable as a text font, thanks to its generous x-height.

Cocogoose Classic is part of the Coco Gothic family, a collection of twelve typefaces each inspired by the fashion mood of every decade of last century, named in homage to fashion beloved icon Coco Chanel. Its strong character makes it ideal for display uses.

Litmus is the newest typeface from ITF founder Satya Rajpurohit. It is a slightly condensed humanist sans serif design, with a tall x-height and strokes that end with either horizontal or vertical terminals, instead of diagonals. Ascenders rise noticeable above the tops of capital letters, while the fonts’ numerals are slightly shorter than the caps. Litmus’s interior counterforms are rather open. There are five weights on offer: the Light is monolinear, but the stroke-contrast grows with every weight. The amount of contrast in the Bold is quite high. Each Litmus font makes use of a double-storey ‘a’ and single-storey ‘g’. The fonts may be put to excellent use for text on websites, or in print – especially in documents where a little space-saving is necessary.

TT Supermolot Neue is a redesigned, extended and greatly enhanced reincarnation of the popular TT Supermolot and TT Supermolot Condensed font families. During its existence, the hammers (‘molot’ in Russian) managed to get into the spotlight in a huge number of projects, for example, in popular video games, films, and branding. Despite its popularity, the limited composition of old families put boundaries their development, which prompted us to release a completely redesigned and greatly extended version. And while the old families could offer designers only a limited number of tools, in the new version you can already find 54 fonts, and each individual font now consists of more than 620 glyphs.

First, we have added a completely new subfamily, TT Supermolot Neue Extended. But this is only the tip of the iceberg—in order to achieve visual harmony between the three subfamilies, we completely revised the distribution of widths among them. As a result of this work, the width of the TT Supermolot Neue Normal subfamily became a bit narrower, and the width of the TT Supermolot Neue Condensed subfamily became even narrower than it was in the old version. Secondly, we’ve increased the number of weights. While in the old versions there were only 5 weights, in the new ones there are 9 in each of the subfamilies.

In addition, we gave a facelift to the lowercase and uppercase letters. In TT Supermolot Neue, the design of all controversial grapheme forms was soothed and now the family can also be used in the text set. We have completely redrawn italics. It took us half a year to compensate for all the circles, to transform italic strokes, to work out the position of the diacritics, to make right the spacing, and to finish kerning.

Following a good tradition, in the TT Supermolot Neue extensive support for useful OpenType features was added, and hinting was also improved. If we talk about visual features, we recommend paying closer attention to two stylistic sets: the first set (ss01) is designed to make the typeface more humanist, and when you turn on the second set (ss02), the typeface becomes even more technological. In addition, the typeface has more than 26 items of standard and discretionary ligatures. We also have not forgotten about the figures and we added a set of old-style figures to the standard version. In addition, the typeface has case, ordn, frac, sups, sinf, numr, dnom, onum, tnum, lnum, pnum, calt, liga, dlig, salt, ss01, ss02.

Disalina is a typeface adjusted to your needs. You are looking for geometrical shapes, stylized ligatures or lettering reminiscent of Art Nouveau? Three stylistic sets that are included in every weight will make your project more creative. The Disalina family was inspired by the lettering and posters of late 1800s and the beginning of the 1900s. It merges beautiful vintage design and modern graphic thinking.

The whole family consists of 7 weights – you will find different opentype features such as ligatures, stylistic sets, arrows, swashes and more. Disalina is a true friend – no more different fonts to mix & match different styles.

Holden is a typeface family designed in 2018 for Zetafonts by Cosimo Lorenzo Pancini with Andrea Tartarelli as a research in texture and extreme weight range.

Its curvy shapes, inspired by pointed brush aesthetics, are developed in six different weights, from the lightly contrasted thin to the fluid and rhythmic fat. The lightest weights are mostly designed for text usage, while the heavier weights work better at display sizes, where the extreme shapes and tight counter-spaces are better appreciated.

Holden aims to fill the space between display and text typeface, with a range of variants that allows maximum expression in display use and great legibility in long texts, on the web and at small size. It’s designed for editorial or food packaging use where a contrasting range of weights and variants is required to fight monotony while keeping branding consistent.

All Holden fonts include full open type features with stylistic alternates, small caps, discretionary ligatures, positional number forms, swash forms (in italics) and full language coverage for +70 languages using latin alphabet.

An array of extra decorative dingbats are included to complement your design with pointing manicules and fleurons (also called “horticultural dingbats” by Robert Bringhurst in The Elements of Typographic Style).

DINosaur is the typographical mise en scène of a calligraphic standard for technical writing, found in a 1967 manual. Although its base is a regular grid and its main reference is the DIN norm, it is full of a multitude of small original features. The microtypographic details refer to the tools originally used for its reproduction.

Instamood is a new signwriting script full of ligatures. Perfect for your Instagram post and for casual posts.

Hot Dogs, Apple Pie, Baseball and great TYPOGRAPHY are deeply rooted in American culture. American Auto is a Type Family that embodies that culture visually. It joins a robust workhorse sans with a playful script that brings you back to 70+ years ago, while at the same time remaining as contemporary as any new 2019 design. This unique pair work together in harmony to create wonderful designs for a variety of uses. From book covers to posters, web sites to apps, American Auto is an excellent choice to create striking designs that stand out from the crowd!

American Auto also features many Opentype Features such as: Alternate Characters, Initial & Final Forms, Contextual Alternates, Old Style Figures, Lining Figures, Numerators & Denominators, Fractions, and more! This typeface has really been designed to meet any challenge that a designer can throw at it!

Revelstoke is a family of five sans serif fonts designed with a vintage print look in mind. Rounded edges and imperfections were added to the characters to give that old school printing vibe. For those looking to take things one step further with some texture, we’ve added in grunge versions as well. Revelstoke is extremely versatile on its own. The font family also works great as a secondary font to go along with existing logos and branding.